By Blood We Live - Страница 2

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Snow, Glass, Apples by Neil Gaiman

Neil Gaiman is the bestselling author of American Gods, Coraline, and Anansi Boys, among many other novels. His most recent novel, The Graveyard Book, won the prestigious Newbery Medal, given to great works of children's literature. In addition to his novel-writing, Gaiman is also the writer of the popular Sandman comic book series, and has done work in television and film.

The story of Snow White is best known from the 1937 Disney animated feature, which is about seven lovable dwarfs with names like Happy and Bashful. Gaiman's take on that tale is new, but in a way it's also old. For long ago, before Disney Disneyfied it, the story of Snow White was told to children-children who would almost certainly die before reaching adulthood, and whose parents couldn't afford to be so delicate about the cruelties of the world. It was a tale in which a woman's feet are shoved into burning hot iron shoes so that she is forced to dance until she falls down dead.

This story harkens back to that earlier, darker tradition… and then takes it a few steps farther. Mutilation, pedophilia, necrophilia. This definitely isn't Disney.

I do not know what manner of thing she is. None of us do. She killed her mother in the birthing, but that's never enough to account for it.

They call me wise, but I am far from wise, for all that I foresaw fragments of it, frozen moments caught in pools of water or in the cold glass of my mirror. If I were wise I would not have tried to change what I saw. If I were wise I would have killed myself before ever I encountered her, before ever I caught him.

Wise, and a witch, or so they said, and I'd seen his face in my dreams and in reflections for all my life: sixteen years of dreaming of him before he reined his horse by the bridge that morning, and asked my name. He helped me onto his high horse and we rode together to my little cottage, my face buried in the gold of his hair. He asked for the best of what I had; a king's right, it was.

His beard was red-bronze in the morning light, and I knew him, not as a king, for I knew nothing of kings then, but as my love. He took all he wanted from me, the right of kings, but he returned to me on the following day, and on the night after that: his beard so red, his hair so gold, his eyes the blue of a summer sky, his skin tanned the gentle brown of ripe wheat.

His daughter was only a child: no more than five years of age when I came to the palace. A portrait of her dead mother hung in the princess's tower room; a tall woman, hair the colour of dark wood, eyes nut-brown. She was of a different blood to her pale daughter.

The girl would not eat with us.

I do not know where in the palace she ate.

I had my own chambers. My husband the king, he had his own rooms also. When he wanted me he would send for me, and I would go to him, and pleasure him, and take my pleasure with him.

One night, several months after I was brought to the palace, she came to my rooms. She was six. I was embroidering by lamplight, squinting my eyes against the lamp's smoke and fitful illumination. When I looked up, she was there.

"Princess?"

She said nothing. Her eyes were black as coal, black as her hair; her lips were redder than blood. She looked up at me and smiled. Her teeth seemed sharp, even then, in the lamplight.

"What are you doing away from your room?"

"I'm hungry," she said, like any child.

It was winter, when fresh food is a dream of warmth and sunlight; but I had strings of whole apples, cored and dried, hanging from the beams of my chamber, and I pulled an apple down for her.

"Here."

Autumn is the time of drying, of preserving, a time of picking apples, of rendering the goose fat. Winter is the time of hunger, of snow, and of death; and it is the time of the midwinter feast, when we rub the goose-fat into the skin of a whole pig, stuffed with that autumn's apples, then we roast it or spit it, and we prepare to feast upon the crackling.

She took the dried apple from me and began to chew it with her sharp yellow teeth.

"Is it good?"

She nodded. I had always been scared of the little princess, but at that moment I warmed to her and, with my fingers, gently, I stroked her cheek. She looked at me and smiled-she smiled but rarely-then she sank her teeth into the base of my thumb, the Mound of Venus, and she drew blood.

I began to shriek, from pain and from surprise; but she looked at me and I fell silent.

The little princess fastened her mouth to my hand and licked and sucked and drank. When she was finished, she left my chamber. Beneath my gaze the cut that she had made began to close, to scab, and to heal. The next day it was an old scar: I might have cut my hand with a pocket-knife in my childhood.

I had been frozen by her, owned and dominated. That scared me, more than the blood she had fed on. After that night I locked my chamber door at dusk, barring it with an oaken pole, and I had the smith forge iron bars, which he placed across my windows.

My husband, my love, my king, sent for me less and less, and when I came to him he was dizzy, listless, confused. He could no longer make love as a man makes love; and he would not permit me to pleasure him with my mouth: the one time I tried, he started, violently, and began to weep. I pulled my mouth away and held him tightly, until the sobbing had stopped, and he slept, like a child.

I ran my fingers across his skin as he slept. It was covered in a multitude of ancient scars. But I could recall no scars from the days of our courtship, save one, on his side, where a boar had gored him when he was a youth.

Soon he was a shadow of the man I had met and loved by the bridge. His bones showed, blue and white, beneath his skin. I was with him at the last: his hands were cold as stone, his eyes milky-blue, his hair and beard faded and lustreless and limp. He died unshriven, his skin nipped and pocked from head to toe with tiny, old scars.

He weighed near to nothing. The ground was frozen hard, and we could dig no grave for him, so we made a cairn of rocks and stones above his body, as a memorial only, for there was little enough of him left to protect from the hunger of the beasts and the birds.

So I was queen.

And I was foolish, and young-eighteen summers had come and gone since first I saw daylight-and I did not do what I would do, now.

If it were today, I would have her heart cut out, true. But then I would have her head and arms and legs cut off. I would have them disembowel her. And then I would watch, in the town square, as the hangman heated the fire to white-heat with bellows, watch unblinking as he consigned each part of her to the fire. I would have archers around the square, who would shoot any bird or animal who came close to the flames, any raven or dog or hawk or rat. And I would not close my eyes until the princess was ash, and a gentle wind could scatter her like snow.

I did not do this thing, and we pay for our mistakes.

They say I was fooled; that it was not her heart. That it was the heart of an animal-a stag, perhaps, or a boar. They say that, and they are wrong.

And some say (but it is her lie, not mine) that I was given the heart, and that I ate it. Lies and half-truths fall like snow, covering the things that I remember, the things I saw. A landscape, unrecognisable after a snowfall; that is what she has made of my life.

There were scars on my love, her father's thighs, and on his ballock-pouch, and on his male member, when he died.

I did not go with them. They took her in the day, while she slept, and was at her weakest. They took her to the heart of the forest, and there they opened her blouse, and they cut out her heart, and they left her dead, in a gully, for the forest to swallow.

The forest is a dark place, the border to many kingdoms; no one would be foolish enough to claim jurisdiction over it. Outlaws live in the forest. Robbers live in the forest, and so do wolves. You can ride through the forest for a dozen days and never see a soul; but there are eyes upon you the entire time.

They brought me her heart. I know it was hers-no sow's heart or doe's would have continued to beat and pulse after it had been cut out, as that one did.

I took it to my chamber.

I did not eat it: I hung it from the beams above my bed, placed it on a length of twine that I strung with rowan-berries, orange-red as a robin's breast; and with bulbs of garlic.

Outside, the snow fell, covering the footprints of my huntsmen, covering her tiny body in the forest where it lay.

I had the smith remove the iron bars from my windows, and I would spend some time in my room each afternoon through the short winter days, gazing out over the forest, until darkness fell.

There were, as I have already stated, people in the forest. They would come out, some of them, for the Spring Fair: a greedy, feral, dangerous people; some were stunted-dwarfs and midgets and hunchbacks; others had the huge teeth and vacant gazes of idiots; some had fingers like flippers or crab-claws. They would creep out of the forest each year for the Spring Fair, held when the snows had melted.

As a young lass I had worked at the fair, and they had scared me then, the forest folk. I told fortunes for the fairgoers, scrying in a pool of still water; and, later, when I was older, in a disc of polished glass, its back all silvered-a gift from a merchant whose straying horse I had seen in a pool of ink.

The stallholders at the fair were afraid of the forest folk; they would nail their wares to the bare boards of their stalls-slabs of gingerbread or leather belts were nailed with great iron nails to the wood. If their wares were not nailed, they said, the forest folk would take them, and run away, chewing on the stolen gingerbread, flailing about them with the belts.